Fine Art

COMMISSIONED in 1908 by the Thomas D. Murphy Calendar Co., Mists of Yellowstone, one of many pictures of what is now the Yellowstone National Park region painted by Thomas Moran, nearly doubled the previous saleroom best for the artist on July 29. It made $4.4m (£2.42m) in the grand ballroom of the Silver Legacy Resort & Casino in Reno, Nevada – where Coeur d’Alene Art hold an annual auction, the big event of the year for well-heeled lovers of Western art.

PICTURED right is one of Nicolaas Johannes Roosenboom’s (1805-1880) classic winter landscapes, The Pleasure Trip: Elegant figures on Ice, which made €9000 (£6000) at Christie’s Amsterdam (23.205/11.9% buyer’s premium) Pictures Watercolours and Drawings sale on September 1. The signed oil on panel was 23in x 2ft 4in (58 x72cm).

AN Americana sale held by Eldreds of East Dennis on August 5-6 included a number of works by Ralph Eugene Cahoon Jr. (1910-82), a Cape Cod artist for whom mermaids and sailors, lighthouses and balloons were key themes, and the picture top right, a late addition to the catalogue, proved one of the Massachusetts sale’s greater successes, at $40,000 (£22,000).

SINCE its first appearance in 1994, Peter McEwan’s Dictionary of Scottish Art & Architecture has been an obligatory presence on the bookshelves of anyone with a serious interest in buying and/or selling Scottish art.

THE 30 plates, all India proofs on heavy paper, that make up an 1857 volume of Etchings for the Art-Union of London by the Etching Club include three by Samuel Palmer – one shown right.

JAMES Sillett was a jobbing artist from the Norwich School of painters, who worked on a broad spectrum of projects including heraldic painting and stage scene decoration, but he is best known as a competent miniaturist.

RIGHT: one of 23 coloured aquatints by George Hunt after M.E[gerton] that make up Airy Nothings; Or, Scraps and Naughts, and Odd-cum-Shorts; in a Circumbendipus Hop, Step and Jump, by Olio Rigmaroll, a slim quarto volume of 1825, this one shows ‘Quadrille Dancing at Mr Owen’s Institution, near Lanark’ – the model community established by social and education reformer Robert Owen at the New Lanark cotton mills.

NOW that few dealers can any longer afford routinely to buy pictures for stock, auctioneers, particularly provincial auctioneers, have become increasingly reliant on private individuals to take take up the slack at their art sales.

FRIEZE, the contemporary art fair launched to much critcal and commerical acclaim in Regent’s Park last year, is to have a supporting act this October.

THE recently published, enlarged and revised second edition of Peter McEwan’s indispensable Dictionary of Scottish Art and Architecture describes the Perthshire-born landscape painter Joseph Henderson (1832-1908) as “one of Scotland’s half-forgotten painters who deserves better recognition than he has hitherto received”.

WHAT is billed as the first ever selling exhibition of early Armenian art to be held in a commercial gallery will be mounted by Sam Fogg at 15d Clifford Street, London W1, from September 22 to October 15.

ENGLISH Heritage successfully bid £11,500 for a portfolio of 47 photographs of the exterior and interior of the Crystal Palace in a Dominic Winter sale of August 25.

AFTER more than 35 years involvement in the art world, I have become rather blasé about a great deal of art, particularly Contemporary. However, last month the ‘wow’ factor returned, when as one of the judging panel for a wildlife art prize, I discovered the sculpture Urban Warrior, which is illustrated right.

WHAT should the art world do when the going gets tough? Many in the trade sit back and whine. Others go into battle. Those who do get up from their derrières and practise a little innovation and lots of enthusiasm often do well in the most difficult of periods.

REGULAR readers of Scott Reyburn’s Art Market will be only too aware that many equestrian paintings by Sir Alfred James Munnings (1878-1959) have in recent years shown significant increases in value. As he reported as recently as Antiques Trade Gazette No 1648, July 17, Munnings’ oil sketch Newmarket Cheveley was the only work to dramatically exceed its estimate in Sotheby’s Important British Picture sale on July 1.

THIS year marks the 200th birthday of the Royal Watercolour Society and many past members, such as William Callow (1812-1908), have been masters in portraying the detail and differing surface textures of building.

Right: sold for £4200 in the July 21 sale held by Lyon & Turnbull at Jordanstone, an Ayrshire country house, was Rowlandson’s The Comforts of Bath, a set of a dozen prints issued by Fores in 1798, and here loosely inserted in an album of full red crushed morocco.

SOMETHING in the region of $1.2m (£660,000) was taken at a July 31-August 1 sale held by the Neal Auction Company of New Orleans and two 20th century photographs (one reproduced right) were among the more successful lots.

SOLD for £30,000 at Bonhams on July 15 (as part of the big natural history sale) was a rare series of six mid-18th century engravings dealing with the training of racehorses.

OFFERED by Christie’s New York on June 25 was a magnificent unbound set of the plates that make up Audubon’s great Birds of America (1827-38) that came from the library of the Dukes of Saxe-Meiningen in Thuringia.