Fine Art

CAPE Cod auctioneers Eldred’s of East Dennis had a busy August schedule and results from their series of Asian and Americana sales will appear in future US Selections, but seen here are two of the 970 lots found in an August 12-13 sale of Fine & Decorative Art.

COLLECTING fashions come and go, but the redoubtable Marcel Dyf (1899-1995) never seems to be short of admirers. This signed 23 1/4in x 2ft 4in (59 x 71cm) canvas, right, La Courbe de la Rivière, was the lone picture highlight of Dreweatt Neate’s (15% buyer’s premium) August 24 sale in Bristol when it sold to the London trade at £7600 against an estimate of £4000-6000.

TURN the clock back some 30 years, and regulars to Bonhams’ Knightbridge rooms might just recall a rather dapper, pinstripe-suited auctioneer by the name of Alexander Meddowes.

BACK in London, Chris Beetles of Ryder Street in St James’s has just opened his amusing annual show of cat pictures, which, as always, features an important group of works by the world’s most famous exponent of the genre, Louis Wain (1860-1939).

THE Fergusson show at Alexander Meddowes, coincides with Edinburgh’s exhilarating annual Festival, which brings with it not only hundreds of incredibly diverse theatrical shows but a good sprinkling of art exhibitions too.

SCULPTURE, which accounted for a quarter of Tajan's (20.33% buyer's premium) August 3-4 sale, fared better than the pictures, with two thirds of the 18 lots finding a taker, although Le Créateur, a small Rodin bronze that began proceedings, fell stone dead – bought in at €15,000 against an estimate of €20,000-30,000.

DESPITE having success in his day, it seems a major oversight that marine artist Neville Sotheby Pitcher (1889-1959) does not make it into the specialist reference books such as E.H.H. Archibald’s The Dictionary of Sea Painters.

THE controversy over whether fox hunting should be banned may rumble on, but, presumably, even the most committed hunt saboteur could not take exception to this intriguing Victorian fantasy painting.

RIGHT: Indoor Athlete, a signed “first stone” lithograph of 1921 by American artist George Bellows, which made $13,000 (£7065) in a May 21-23 sale held by Northeast Auctions of Portsmouth, New Hampshire.

The Parrot Pen-man, an ink and watercolour drawing by Quentin Blake that sold for £1200, was among 40 lots offered at Sotheby’s on July 8 on behalf of the Arvon Foundation, a literary charity that provides residential creative writing courses.

FIVE previously unknown photographic prints by Edgar Degas totalled €380,000 (£253,335) at Beaussant-Lefèvre (20.93/11.96% buyer’s premium) on July 2. All featured group portraits taken at the Paris home of Degas’s friend, the painter Henri Lerolle (1848-1929), and were consigned by Lerolle’s descendants.

EIGHT market-fresh female bronzes by Aristide Maillol, ranging in height from 8-12in (20-30cm) and designed between 1896 and 1905, surfaced in the Binoche (20% buyer’s premium) saleroom on July 2.

THE June 11 Aguttes (20.33% buyer’s premium) sale was dominated by late 19th century pictures, including this 1891 Venetian Conversation, seen right, 2ft 5in x 3ft 4in (73 x 1.01m), by American artist Julius Leblanc Stewart (1855-1919), who often painted Venetian scenes – Kaiser Wilhelm II acquired his Sirocco Effects in 1895. The work here claimed a handsome €85,000 (£56,665).

HELPED by contacts with the Traquair family, Shapes have a great track record selling the work of Phoebe Anna Traquair (1852-1936), the Dublin-born mixed-media artist who became a leading member of Scotland’s Arts and Crafts movement.

AT the Royal Academy Summer Exhibition this year, the end wall of Gallery II was completely taken up with a work which John Hoyland, Professor of Painting at the Academy Schools, described as “Terry Frost’s magnum opus”.

PAINTINGS offered at Lyon & Turnbull’s (17.5% buyer's premium) July 21 Jordantone dispersal were mostly comfortable furnishing pictures of some quality including this uncharacteristic Joseph Farquharson oil, right, entitled Fisherwoman on a Deserted Sandy Beach. Very different from the artist’s trademark mix of sheep, heather and swirling snow, the 22in x 3ft (55x 91cm) image of a solitary figure walking barefoot on the shimmering sand went to a private buyer at £17,000.

ON view at the Belgrave Gallery, St Ives, these two works by the late Sir Terry Frost represent a gap of some 60 years.

SOME steady selling of material which has been hard to shift of late provided some encouragement for the trade generally at Lawrences of Bletchingley's (12.5 buyer's premium) July 20-22 sale and among the 2000 lots – which totalled nearly £200,000 – there were enough of those quirky offerings which make provincial British auctions the fascinating events they can be.

One of the most mysterious objects in Bonhams’ Made in Scotland sale from August 18-20, was a fascinating 18th century anamorphic painting – one of a whole class of pictures that required cylindrical mirrors to view the true image.

ONE of the most exciting aspects of the ever-growing interest in 20th century British art is the opportunity it offers to rediscover significant, but neglected, talent of the period. For those with a keen eye and prepared to look beyond the mere ‘big’ names, there really are some impressive things out in the market place. Such works, of course, also have the added bonus, more often than not, of falling into the category of affordability.