Modern British Art

Our weekly selection from salerooms and dealerships.

“Such is the wealth of East Anglian artists I don’t think there is another region in the UK that can compete. The Cornish tradition comes close, but it goes back only 100 years – the East Anglian tradition goes back way longer.”

In 'The Countryside Through Art', mid-century specialist Fifties Art & Design offers three views of a nearby landmark by John Piper (1903-92).

A new art fair launching at the Saatchi Gallery this June is a late addition to the busy schedule of London’s summer art events.

Dealer Andrew Sim has sold 14 Second World War pictures by Polish-born artist Feliks Topolski (1907-89) to the Imperial War Museum.

A drawing by the Indian artist Francis Newton Souza (1924- 2004) which he created on the verge of finding international fame in the 1950s drew intense bidding at a recent Dreweatts (25/20/12% buyer’s premium) auction.

'Battlefield' is among the works Piano Nobile includes in an exhibition of Paul Nash paintings at Frieze New York.

This headstone design of a female nude by the controversial sculptor Eric Gill (1882-1940) was deemed too risky to be realised when he designed it in 1933.

British art historian Frances Spalding on how a post-war buying spree by councils aimed to bring the latest works to the classrooms.

Our weekly selection from salerooms and dealerships.

Once enthusiastic buyers on the art market, today’s cash-strapped councils have taken on the role of vendor, pushed in an age of austerity to sell their collections and other assets to balance the books.

Two versions of Edward Bawden’s (1903-89) famous 'Brighton Pier' linocut came up at UK auctions within a day of each other.

The inaugural Modern Made auction held by Lyon & Turnbull at the Mall Galleries in London last week recorded a hammer total of £800,000 (close to £1m including premium).

Mayfair exhibition reveals the sculptor and painter’s huge impact on artists.

A surrealist work by John Tunnard (1900-71) led a sale of 20th century British pictures from Hertfordshire County Council’s collection at Cheffins on March 21.

Marie-Louise von Motesiczky (1906-96) was one of those artists who took little pleasure in selling their work. Indeed, Motesiczky’s obituary in The Independent described her “aristocratic disdain for the marketplace” and stated that “while she half welcomed exhibitions, they remained uncomfortable experiences… she never needed to sell her paintings, indeed she preferred to keep them around her.”