Lithograph

This print ‘Unhappy Courtship’ by Dame Paula Rego (b.1935) is estimated at £2000-3000 at a charity sale being conducted by Roseberys.

Recent reports suggest the number of copied Lowry prints in circulation is increasing.

Prints by Eric Ravilious (1903-42) don’t crop up too often, so when Sworders’ offered a collection of five lithographs from his ‘Submarines’ series at latest sale in Stansted Mountfitchet, there was understandably a good level of interest.

A wartime lithograph by C.R.W. Nevinson (1889-1946) promoting Britain’s aerial prowess made a record price for a print by the artist at Sotheby’s latest sale in this category.

This signed William Scott (1913-89) lithograph of Mousehole harbour in Cornwall was spotted during a furniture valuation before being entered into Chorley’s latest sale in Prinknash Abbey Park, Gloucestershire.

A RARE group of four hand-coloured lithographs of Sydney from c.1826 by travel artist Augustus Earle (1793-1838) saw interest from both hemispheres of the globe emerge at Bonhams' (20% buyer's premium) in Oxford on September 8.

WHEN it comes to modern prints, Edvard Munch (1863-1944) stands in a league with only Pablo Picasso and Andy Warhol as artists who have made sums getting on for £1m at auction. However, Bonhams broke through that barrier on July 13 when they offered an extremely rare version of one of the Norwegian artist’s best known images.

With Sir Walter Scott setting the tone and Victoria and Albert in the vanguard, 19th century followers of fashion developed a highly romanticised passion for all things Scottish.

DAY two of the sale of the Mira Jacob Collection, held by Bailly-Pommery-Voutier & Sotheby’s (23.92 - 14.35% buyer's premium), was devoted to prints and illustrated books and yielded €780,000 (£530,000) with all but seven of the 166 lots selling.

RIGHT: Indoor Athlete, a signed “first stone” lithograph of 1921 by American artist George Bellows, which made $13,000 (£7065) in a May 21-23 sale held by Northeast Auctions of Portsmouth, New Hampshire.

OVER a period of 30 years, the late Sir Charles Clarke of Broadhurst Manor in Sussex built up a remarkable collection of engravings, drawings and other material by Edouard Travies. He came to be recognised as the leading authority on the artist and his collection of Travies lithographs of La Chasse and other similar suites of plates is perhaps the finest ever to have come onto the market.

The Impressionist and Modern sales were not the only New York sales last week to smash auction records. Christie’s November 5-6 sale of 19th and 20th century prints brought an extraordinary record price for a single print by Henri de Toulouse Lautrec. La Grande Loge, an 1897 lithograph in colours on wove paper, was an extremely rare and previously unrecorded colour trial proof produced before an edition of 12.

CONDITION is a prime concern in the 20th century print market but occasionally images come on the market that are so rare and so striking that condition concerns take a lower priority – particularly if the buyer has been searching for such a piece for 30 years.

Though not so credited, this coloured lithograph, Grand Prix de l’A.C.F. 1913 (Motocyclettes) has a very Gamy/Montaut look about it. In the literature section of a motoring sale held by Bonhams at the RAF Museum, Hendon, on February 25, it sold at £250.

Recent documentary evidence suggests that the lithographic stones for the 79 plates by Smit and Keulemans after Joseph Wolf that illustrate Daniel Giraud Elliot’s Monograph of the Phasanidae or Family of Pheasants were destroyed after only 150 copies had been taken.