Prints

Jane Orde specialises in Japanese 19th and 20th century prints and most recently exhibited at Two C’s Burford Antiques Fair and is a regular at The International Birmingham Antique Arms & Militaria Fair (September 17).

Thomas Bradshaw has been described as a poor civil servant but a brilliant artist.

More than 70 lots of paintings, works on paper and antiques assembled by the well-known auctioneer and collector Paul Whitfield (1942- 2018) went under the hammer at Mallams (25% buyer’s premium) in Oxford on May 17.

A print commemorating an 18th century example of British and American military cooperation was given as a present 200 years later to mark another joint success.

Dealers are now facing more competition from collectors as works estimated in the hundreds of pounds range are taken to four-figure prices

Shown here are pages from an extremely long, hand-coloured aquatint record on one continuous folding strip just a little over 4in tall, but a work that would extend to around 19ft (5.8m) if fully opened.

Amy Scanlon, head of Modern and Contemporary art at Sworders of Stansted Mountfitchet, discusses her affection for Bawden prints

A lively market has emerged for the linocuts of Great Bardfield artist Edward Bawden

'Cattle Market, Braintree' from 1937 is a trademark Edward Bawden image. But it is also the artist’s only pre-war editioned print.

I’ve always understood that Gwen Raverat (1885-1957) produced woodcuts, not wood engravings, and The Knight of the Burning Pestle, 1909, (ATG No 2587) is certainly a woodcut

Bay Malton and Gimcrack are the two most famous flat-racing horses of the 1760s.

The very first wood engraving by Gwen Raverat (1885-1957) is this 1909 work, 'The Knight of the Burning Pestle'.

Specialist print fair has constantly evolved but remains at heart a celebration of these works on paper

Much has been made of the fact that in 1988 Keith Haring produced a series of 10 signed and dated serigraphs with texts by the veteran writer William Burroughs with the title 'Apocalypse'.

The work of illustrator Robert Gillmor graces many books from a well-known natural history series

As its Asia Week New York offering, Egenolf Gallery presents Prints and Drawings by Utagawa Kuniyoshi (1798-1861), Master of Graphic Storytelling.

Shown here is a highlight of The Art of Japan’s Asia Week New York exhibition, Fine Japanese Prints: 300 Years of Japanese Prints, Ukiyo-e -Modern.

For Asia Week New York, Heritage will offer a collection of Japanese woodblock prints, cloisonné, Chinese textiles, Tibetan bronzes, jades and other items.