Sculpture

THE catalogue at Hampton and Littlewood’s (15% buyer's premium) April 28-29 sale may have been a model of its kind but even Homer nods… and Mr Hampton did so while “late-night cataloguing” this sentimental little group, right.

MAYFAIR antiquities dealer Rupert Wace is mounting possibly the most captivating June selling exhibition when, as one of the participants of the first London Sculpture Week, he presents Pharaoh’s Creatures: Animals from Ancient Egypt, at 14 Old Bond Street, London W1.

ALTHOUGH many of the items on offer by the nine dealers taking part in London Sculpture Week (June 10-18) are antique, with some dating back more than 5000 years, there will be a few contemporary pieces.

Right: among the highlights of the three-day on-the-premises house sale conducted by Woolley & Wallis at Ashley Manor, near Stockbridge, Hampshire from May 18-20 was this 11 1/2in (29cm) high bronze cast of a winsome puppy by Dame Elizabeth Frink (1930-1993).

SIX lots from Bonhams' (17.5/10% buyer's premium) March 22-24 sale at The Old Rectory, Banningham will be making their way back whence they came, National Trust curators having identified them (Bonhams had only spotted one) as having been bought by the Rev. Hall & Son at the 1951 contents sale of Oxburgh Hall in Norfolk. The house now belongs to the Trust which rescued it from demolition.

ON Thursday March 18 thieves broke into the Oxfordshire home of ex-jockey and racehorse trainer Stan Mellor and stole silver and works of art.

NONE of the February auctions in Brussels were timed to coincide with the Foire des Antiquaires de Belgique (Belgian Antique Dealers’ Fair), staged from February 6-15, perhaps because this was the first year that the new-look fair had attracted such international attention.

NINE prominent London specialist dealers have joined forces to launch London Sculpture Week this June. In recent years a number of such initiatives have been launched successfully to focus attention on an area of expertise in the capital. With increasing interest in sculpture it was thought it was time to highlight London’s considerable credentials in this field.

Five early 18th century ivory relief portraits by celebrated carver David Le Marchand stolen from the Art Gallery of Ontario on January 17 have been recovered.

Cheffins of Cambridge are celebrating what must rank as one of the most dramatic – and certainly one of the highest – prices ever recorded in the UK provinces after their February 11-12 sale that included a pair of white marble seated figures by Sir Henry Cheere (1703-81).

THE Burlington Magazine have extra reason to celebrate their centenary this month as they unveil the rediscovery of a lost work by Benvenuto Cellini. The 19in (48cm) bronze statuette of a satyr has been identified during the preparation of a catalogue raisonné of sculpture in the Royal Collection.

ST JAMES’S sculpture dealer Robert Bowman will be on duty at Maastricht again this year, and at the top fair he will be showing the top names of 19th and 20th century bronzes, such as Rodin and Degas.

Netherlandish Sculpture 1450-1550 by Paul Williamson, published by V&A Publications. ISBN ISBN 1851773738 £25hb

European Works of Art: There was no real surprise about the star lot in Sotheby’s December 10 works of art sale. The piece that attracted plenty of attention at the pre-sale viewing and made far and away the highest price in the 177-lot gathering was this c.1520-25 terracotta bust of the Virgin and Child by Il Riccio, which, at £3m, singlehandedly accounted for two thirds of the auction’s entire £4.47m total.

OF the three new world auction records taken at Christie’s Rockefeller Center saleroom on the evening of November 6, two of them were for pieces of sculpture. This follows on from Christie’s success in the May Impressionist and Modern sales, their best – as Sotheby’s were for them – for some time, when Constantin Brancusi’s 1913 bronze Danaïde took $16.5m (£11.6m), the highest price for any piece of sculpture sold at auction.

Over the last 10 to 15 years, the market has undergone a slow but steady shift towards 20th century painting in particular the Post-War abstraction of the St Ives school whose geometric shapes and pure blocks of colour are wholly in tune with contemporary tastes.

This muscular terracotta modellino of a moor, Il Moro, 2ft 75/8in high (80.5cm), attributed to Gian Lorenzo Bernini (1598-1680), wrested the top slot from a powerfully modelled pair of 16th century bronzes in Sotheby’s (19.5/10% buyer’s premium) 174-lot European Sculpture and Works of Art 900-1900 auction on July 9.

Buoyant as the world of Art Deco is, bidders still like familiar names, which in the world of bronze and ivory 1930s figures tend to mean Demetre Chiparus and Ferdinand Preiss.

They haven’t exactly been churning out sales at Christie’s (17.5/10% buyer’s premium) King Street rooms recently. Things have been pretty quiet since the February Impressionist and Modern auctions, and their March 21 auction of 19th century furniture and sculpture was their first decorative arts event this year.

GERMANY: Joseph Beuys’ Sonnenkreuz (1947-48), a patinated bronze sculpture 15 x 81/4in (37 x 21cm), evoking a crucifix against a radiating sun, sold comfortably over estimate for DM200,000 (£64,000) at the Lempertz Contemporary Art sale in Cologne on December 5.