Thomas Chippendale

This pair of satinwood demilune console tables with their fine marquetry and carved details are of exceptional quality and workmanship. The Thomas Chippendale workshop is a good candidate for their manufacture.

A specialist in 18th century marquetry believes he has identified the craftsmen responsible for inlaid decoration on some of the finest English furniture.

A previously unknown bill for furnishings supplied by Thomas Chippendale (1718-79) has been bought at auction on behalf of The Chippendale Society (TCS).

Given that most antique furniture at auction tends to be good value only for the buyer these days, one can perhaps understand why it occasionally does not always receive the attention it once merited from auctioneers and valuers. As a result, occasionally a special item slips through.

Thousands of items are available to buy from dealers online. Here we pick out one that caught our eye this week.

When Sir Robert Burdett (1716-97), 4th Baron Bramcote, undertook the remodelling of his early 18th century home Foremarke Hall from 1759-62, he contracted Thomas Chippendale to refurnish the house. The cabinet maker – one of several employed in the project – was paid around £1000 for the giltwood seating furniture which is thought to have included at least 10 elbow chairs, two window seats and a sofa.

MADAM – Your news story (‘Ivory removed from Chippendale before sale’, ATG No 2356) draws attention to the deliberate and unforgivable removal of original ivory elements from an important commode by Thomas Chippendale, England’s most famous cabinet maker.

Our story last week revealed that ivory elements of an important piece of Chippendale furniture, the Rowland Winn commode made c.1766, were removed for its appearance at a Christie’s auction earlier this year, the commode having been imported from the US.

Ivory elements of an important piece of Chippendale furniture were removed prior to its appearance at auction earlier this year, ATG has learned.

MADAM – In his letter (ATG No 2355) Michael Baggott references the possibility that, following changes in the law, antiques could be mutilated because of their ivory content.

A major test of the market for the best of British furniture will take place in London this summer when Christie’s stages a sale dedicated to Thomas Chippendale.

The tercentenary of Chippendale’s birth is the catalyst for the 'Chippendale 300' initiative – a programme of non-selling exhibitions and events held across a range of historic houses, museums and craft organisations.

Chippendale’s move to a modest Kensington terrace house in 1776 probably marked his partial retirement from business at the age of 58. He would remarry the following year but died in 1779 leaving under £29 (not much more than the cost of one of the Dundas giltwood armchairs which sold at £20 each).

As a name synonymous with English furniture turns 300 years old this year, dealers are hoping the Chippendale 300 initiative can raise the profile of good English period furniture and inject some fresh pride in an historical craft.

Much of Thomas Chippendale’s renown is thanks to his forward-thinking approach to business in the first decades of consumerism – and in particular the creation of a pioneering catalogue of furniture designs in the style of the great architectural books of the period.