Art and antiques news from 2004

The primary artistic influence behind the Prattware phenomenon that captivated Victorian society for 40 years was the freelance artist and engraver Jesse Austin (1806-1879).

THE rare and unusual mid-18th century mahogany Windsor chair pictured on the front page of Antiques Trade Gazette No 1643, June 12, was not the only enigmatic armchair in Mallams' (15% buyer's premium) April 22 sale. The supporting cast to that £23,000 chair – an unusual hybrid combining the features of the English country chair with the timber and the modeling of urban cabinetmaking – included a Egyptian Revival walnut tub chair.

WAS it a case of not being market-fresh or a change in fashion that resulted in such a dramatic nose-dive in value for this black chalk, stump and watercolour, right, by Thomas Gainsborough (1727-1788), when it came up at Christie’s King Street on June 3? Against hopes of £40,000-60,000 it scraped home with a final bid of £35,000 (£41,825 with premium) from a private collector.

The Exiled Collector: William Bankes and the Making of an English Country House by Anne Sebba, published by John Murray. ISBN 0719563283 £22.50hb.

JOHN Snow’s best-known work, On the Mode of Communication of Cholera, deals with his investigations into the London cholera epidemic of 1831-32.

PERIOD if possible, but, above all, practical – this seems to be the current code among furniture buyers in the experience of Amersham Auction Rooms (15% buyer's premium) over the past couple of years.

“A WONDERFUL morning and a dreadful afternoon,” was how auctioneer Elizabeth Pepper-Darling summed up Morphets' (15/10% buyer's premium) 640-lot June 10 sale which was in some ways a microcosm of the auction scene in general.

THE Old Master trade loves a sleeper and at least two dealers were convinced they were on to a major discovery when a woefully under-catalogued “Painter standing beside a canvas depicting cupid, oil on canvas, 45 x 37.5in (1.14m x 95cm)” came under the hammer without any form of attribution or estimate at the Portsmouth, New Hampshire rooms of North East Auctions (15/10% buyer’s premium) on May 23.

A FOUR-page, colour illustrated feature in the April 25 issue of The Sunday Times Magazine will have done nothing to harm the saleroom prospects of a collection of 13 love letters written in the period January 1881-June 1882 by the actress Lillie Langtry, “the adored pin-up whose affairs rocked Victorian Britain”, and on May 13 Cumbrian auctioneers Mitchells of Cockermouth sold the lot for £5000.

AFTER four years, from July 9 to 11, Harrogate-based Galloway Antiques Fairs return to Alnwick Castle, Northumberland to revive their Alnwick Castle Antiques Fair.

WITH giant sales every three weeks, Keys (10% buyer's premium) of Aylsham will cheerfully put two-figure lots under the hammer, but there were also a number of four-figure sellers to help swell the hammer total to £110,000 at the latest 1640-lot outing on June 2-3.

ONCE criticised for its sometimes curious aesthetics, William IV and Victorian furniture is today more likely to be maligned for its relatively poor performance as a ten-year investment. However, there are still aces out there that merit the chase – and one turned up at Bruton Knowles' (15% buyer's premium) on May 27.

EARLIER this year, when Comic Book Postal Auctions sold a copy of Beano No.1 for a record £11,000, I briefly looked into the reasons why Dandy, which preceded Beano by several months, is not quite so avidly pursued and looked forward to seeing just how much the next Dandy No. 1 to come to auction might make.

AS the hubbub dies down in London, there is no shortage of action in the provinces.

TWO very strong prices, one in Edinburgh and one in London have underlined the status of the Zeigler as the most fashionable of late 19th century carpets. And the £110,000 and £130,000 bid for Zeigler & Co. carpets at Lyon & Turnbull on March 31 (Antiques Trade Gazette 1636, April 24) and Sotheby’s on April 28 (Antiques Trade Gazette 1641, May 29) had one thing in common – both were made with cream grounds.

A FEW weeks ago, The Guardian published a sensible and responsible feature concerning the current malaise of the antiques trade.

AN airheaded and insubstantial vice it might be, but plainly vanity has lasting appeal at auction, judging by the success of the coromandel veneered lady’s box, top right, and the gentleman’s hide toilet case, bottom right, offered at Amersham Auctions Rooms (15% buyer's premium) on June 6.

A FEW weeks ago, The Guardian published a sensible and responsible feature concerning the current malaise of the antiques trade.

THE 19th century European Paintings sales at Sotheby’s are divided into a number of regionally-themed sections which are enjoying varying degrees of health. Although they continue to have their occasional moments, the formerly booming markets for Orientalist, German and Scandinavian pictures continue to be pale reflections of their former selves.

BACK in July 1984, Christie’s took £75,000 (£81,000 with premium) for Thomas Rowlandson’s (1756-1827) pièce de résistance watercolour of Box-lobby loungers.