TEFAF

TEFAF’s move onto the New York scene, with a spring and autumn fair in the heart of Manhattan, swings into its next stage with the second edition of TEFAF New York Fall from October 28-November 1.

For some of the more than 90 exhibitors standing at the second TEFAF New York Fall (October 28-November 1), it is just one in a flurry of international fairs that now mark the autumn calendar.

TEFAF is to trial its own online selling platform at the fair organisation’s autumn New York event, with a view to building a permanent e-commerce presence.

The second TEFAF New York event opens this week, running from May 4-8 at the Park Avenue Armory. It is the second event that TEFAF has staged in the Big Apple in the past 12 months, the first of which was its inaugural ‘Fall’ edition last October. Whereas that event focused on art from antiquity to 1920, this edition features modern and contemporary art and design.

Established dealers are calling for a “shake up” at the venerable TEFAF Maastricht in the wake of its 30th showing last month. Proposals include moving the fair to Amsterdam, making it shorter and including fewer exhibitors.

Since its launch in 2002 the TEFAF Art Market Report has established itself as the art and antiques trade’s key annual barometer of size and trends.

A previously unknown work by Bartolomeo Cavarozzi (1587-1625) was snapped up within minutes of the opening of TEFAF in Maastricht.

Latest TEFAF market report says uncertainty drives confidentiality

Rupert Maas describes The Little Dancer by Glyn Philpot (1884-1937) as “a haunting masterpiece of figure painting in which a tense drama of maternal love and of awakening independence is played out before us”.