Belgium

The picture dealer element of BRAFA is substantial, but increasingly these days the emphasis is on works from the 19th century onwards, be they Impressionist and modern or post-war and contemporary art.

Brussels gears up for its major art and antiques fair this month with the latest edition of BRAFA.

While BRAFA understandably dominates much of the cultural headlines during this period, it is not the only show in town.

BRAFA has long been a fair with a speciality in early (medieval and Renaissance) works of art, which is something that dates back to the years when it was a Belgian National fair in the city centre. It thus serves a venerable collecting tradition drawing in buyers from the local area and further afield.

Tribal art has long been a Belgian speciality due to the country’s colonial history in Africa. So it is not surprising to see this area well represented at BRAFA, with around a dozen participants in this field hailing from Paris, Brussels and as far away as Montreal.

Antiquities is one of BRAFA’s strong suits in terms of exhibitor volume. Around 10 specialists in this field are standing, plus a number of others that mix antiquities with, for example, Asian art.

Some of the works on offer at BRAFA are simply too quirky to fit into any time-honoured collecting category, but they are often responsible for creating an eyecatching draw to a particular stand.

While the French capital says hello to the new Fine Arts Paris fair, over in Namur in Belgium organisers are gearing up to mount the 41st staging of Antica Namur.

Dealers in and collectors of Asian art were spoilt for choice around the middle of June in Europe. As well as the Asian sale series in Paris (see last week’s ATG, No 2300), a vast selection of works came up for sale in Zurich, Cologne, Brussels, Salzburg and Stuttgart.

The Brussels Vintage Market was launched in 2010 at the delightfully named café Madame Moustache with about a dozen vintage vendors.

A Parisian fair is ‘exploring new horizons’ with its first international event held at a former royal ice rink in the Belgian capital.

'Cultures – The World Arts Fair' is a gallery-based event staged every June in the antique-dealing district of Brussels known as The Sablon.

An unexpected highlight of an April 28-29 sale held by Brussels saleroom The Romantic Agony (24% buyer’s premium), was a leaf from an illuminated manuscript.

Tribal, non-European or ethnographic art has experienced a huge growth in both general and financial appreciation this century. This boost is partly due to the connections made between indigenous art and its influence on modern and contemporary artists.