Auction Reports

On song at Stratford-upon-Avon, a late 19th century French automaton musical bird soared beyond the £1000-1500 estimate at Bigwood (19% buyer’s premium).

Among the flurry of sales providing a welcome spring tonic for the trade generally, two weighted heavily towards furniture provided welcome encouragement.

If a 74% selling rate points to continued selectivity among furniture bidders, the hammer total of £534,000 achieved at Dreweatts’ (24% buyer’s premium) 275-lot Fine Furniture and Works of Art sale showed they also have money to spend – “a trend we’ve seen for a while now”, said auctioneer Ben Brown.

This 19th century French walnut chest of drawers, offered at Ewbank’s (22.5% buyer’s premium) Surrey rooms, sold at £5500.

The sort of large-scale, widely varied provincial auction which had Cheffins auctioneer Luke Macdonald enthusing “it was like selling used to be 15 years ago” after his March 7-8 sale at Cambridge (ATG No 2335) is rarer than it used to be, but plainly alive and well and prospering.

Two William and Mary side tables, one period and the other catalogued as ‘style’, bringing different results in March.

Selling just short of the auction record, this 10in (26cm) tall stoneware pot, below, by John Ward (b.1938) went to an online bidder on thesaleroom.com at £17,500 at Rogers Jones (20% buyer’s premium) in Cardiff.

One says Scottish rather than Scotch except when one is referring to the spirit – or indeed, motor spirit as evident at the Edinburgh rooms of Thomson Roddick Scottish Auctions (17.5% buyer’s premium).

Having for decades been like one of those obscure religions in which passionate believers go about their business to the benign bemusement of everyone else, studio pottery is winning converts by the day.

Harking back to when the Netherlands was a powerful player in the tea trade, a rare, early 18th century silver caddy attracted international interest at Halls (20% buyer’s premium) of Shrewsbury.

Made by William Selwood (1607-53), one of London’s finest clockmakers before the ‘Golden Age’, this 16½in (42cm) mid-17th century brass lantern clock topped Ewbank’s (22.5% buyer’s premium) spring sale in Send.

The 96-lot section of studio pottery offered at Woolley & Wallis’ (25% buyer’s premium) wide-ranging ceramics sale at Salisbury on March 21 included a private collection of the work of David Leach (1911-2005) and Walter Keeler (b.1942).

While many a hopeful vendor has to be told gently that great-great-grandpa’s pocket watch is worth little more than the melt price of the metal, a complication or major name – such as the signature Ch. Frodsham, London to the movement of this example, below – makes all the difference.

Considering retiring and selling up, the owner of a Cornish B&B owner consigned the George III, japanned chest on stand, below, to Honiton saleroom Chilcotts (19.5% buyer’s premium) to test the market.

Porcelain by Jacob Petit (1797-1868) is a scarce sight at provincial rooms.

“It’s not the age or pedigree – it’s the look of the piece.” The phrase became less a heresy and more a cliché during the latter years of the furniture boom of blessed memory, when the increasingly influential decorator trade was spending substantial sums on 19th and early 20th century reproductions.

There is little like a new house-record to leave an auctioneer smiling but there was considerably more for Luke Macdonald to celebrate following Cheffins’ (22.5% buyer’s premium) spring sale.

Deep snowdrifts accompanied the March 2 sale at Chippenham Auctions (20% buyer’s premium) in Wiltshire.

Peoples of Russia part II… On these pages last week (ATG No 2330) mention was made of the series of porcelain figures of ethnic Russians produced by the Imperial Factory in St Petersburg from the late 18th century up to the revolution.

It was in keeping with a Salisbury sale dominated by the remarkable £460,000 bid for a teapot made at Cain Hoy, South Carolina by John Bartlam c.1765 (see ATG 2331), that the same Woolley & Wallis (25% buyer’s premium) ceramics sale included a group of three rare enamel boxes made for the American market.