UK
The United Kingdom accounts for more than one fifth of the global art market sales and is the second biggest art market after the US.
Through auctioneers, dealers, fairs and markets - and a burgeoning online sector - buyers, collectors and sellers of art and antiques can easily access a vibrant network of intermediaries and events around the country. The UK's museums also house a wealth of impressive collections
£3100 for mirror with nautical air
05 April 1999UK: THIS Victorian gilt overmantel mirror, right, was the unexpected highlight of Plymouth Auction Rooms (buyer’s premium 10 per cent) February 24.
Bidders go Wilde
05 April 1999UK: SIGNED cabinet photographs of Oscar and Constance Wilde flank one of their younger son, Vivian, which has been inscribed and dated 1891 to the reverse – although the well known portrait of Oscar is known to date from 1889.
US candelabra bid sets a £39,000 house record
05 April 1999UK: ROBERT Garrard is a heavyweight in the Victorian silver market, renown for large and imposing tablewares produced for the great and the good of mid-late 19th century society. And a fine example of the Garrard output was on offer at the Bournemouth Auction Galleries in March.
Trade flock to Cotswolds for all manor of delights
05 April 1999UK: NINETEENTH century brown carcase furniture of country house proportions and impeccable provenance attracted the higher prices at this monthly sale in the Cotswolds.
Why the back of beyond is a firm fixture on the national trade route
30 March 1999‘Town’ piece leads field in farmhouse territory UK: AUCTIONEER Richard Harrison describes his rooms as being ‘in the back of beyond’ but the Northern English, Scottish and Irish trade and not a few London dealers can be relied on to make their way to Cumbria for the quarterly sales.
Veterans’ comfy billet at Chelsea
30 March 1999UK: WHILE the Chelsea Antiques Fair, one of our most venerable events, does not seem to generate any buying buzz, it soldiers on and must be doing something right because year after year very good dealers return twice annually to stand at this most traditional of antiques events.
Newton the third (and second)
30 March 1999UK: DESPITE the irritation of losing contact with a US telephone bidder on the way, the auctioneers managed to secure a bid of £3500 from Arden on the principal colour plate lot in the sale – a six volume, second series set of J-J.Linden’s Iconographie des Orchidées of 1895-1900, presenting 273 chromolitho plates.
Quartet’s £2.3m concert
30 March 1999Musical Instruments UK: NO fewer than four sales of musical instruments took place in London between March 15 and 17: at Phillips, Sotheby’s, Bonhams and Christie’s South Kensington (all 15/10 per cent buyer’s premium). Over 1000 lots went under the hammer in all with over £2.3m netted between the four rooms.
The long and the short of top prices
30 March 1999UK: A GEORGE III shell-inlaid oval knife box and a 19th century oak and 7ft 6in (2.29m) high mahogany crossbanded longcase clock with a painted face signed Rogers, Dudley, each attracted a trade bid of £1600 to jointly lead this monthly catalogued sale of 504 lots in Hampshire.
Collectables fill the traditional gap
30 March 1999UK: AS good-quality traditional antiques become harder to find – no piece of furniture made more than £1500 among the 902 lots at Bristol – collectables are becoming more and more of a commercial proposition at auction.
First strike for the North
30 March 1999UK: AT this 595 lot sale the highest price came for the first lot of the day – a 19th century mahogany crossbanded longcase clock with a swan neck pediment, moonphase and painted dial signed Milner, Wigan.
Reprints are a Way to Wealth
30 March 1999UK: TOP LOT in this sale was a 1668 edition of Gervase Markham’s A Way to get Wealth, a ‘nonce’ collection, first issued in 1623, which incorporates half a dozen works by this important but prolific and commercially inventive writer on agriculture, who was not averse to putting different titles to what were essentially the same works or to re-issuing unsold copies of new books under new titles.
Watts in a name?
30 March 1999UK: ESTIMATED at a lowly £700-900, this Aesthetic movement armchair sailed to £21,500 (plus 15 per cent premium) at the Banbury salerooms of Dreweatt Neate on March 17.
Ceramics leading British decorative field
30 March 1999UK: FOR ‘British Decorative Arts’ read ‘British Decorative Ceramics’, or at least that is the way it looked at Christie's South Kensington (15/10 per cent buyer’s premium) back on March 3. They dominated this event to the extent that they accounted for four-fifths of the 419-lot auction.
£8100 bookcase underlines era coming of age
30 March 1999UK: NEXT year, with the beginning of a new millennium, 19th century furniture will seem far older than it actually is. But for some time now the finer pieces have been making prices comparable to their 18th century exemplars and this was certainly the case when this late 19th century satinwood and mahogany breakfront bookcase came up for sale at Heathcote Ball (10 per cent buyer’s premium) in Leicester on February 25.
Academic alpha minus
30 March 1999UK: THE art trade generally classifies pictures as being either “commercial” or “academic” and it was generally the later term which best described the quality on offer at Phillips’ (15/10 per cent buyer’s premium) March 19 sale of The Lloyd Collection of pictures in Oxford.
Hamptons’ new name
01 January 1996HAMPTONS Auctioneers of Godalming will change their name to Dreweatt Neate this month. Having become part of The Fine Art Auction Group earlier this year, the saleroom will be rebranded under the Dreweatt Neate banner in time for the Surrey firm’s April 13 sale.
Bonnington goes to Tate
01 January 1996Nazeing Glass Works and museum to sell collection after closure
22 September 2023A family-owned glassworks and museum has closed and is selling its stock from the venue this month.
- Gardiner Houlgate
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- 21 Oct 2024 - 10:00 AM
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