UK

Over the last year or so there have been some worryingly disappointing results at London and New York auctions of 19th century British and Continental pictures. Bidding in London at Bonhams’ (17.5/10% buyer’s premium) November 19 sale of 19th Century Paintings, however, exhibited some much-welcomed signs of renewed solidity, with 64 per cent of the 182 lots finding buyers.

Antique dealers, interior designers or those with an eye to stylish decor in their own homes all need recourse to supplies of antique style furnishing fabrics whether it is to recover that Edwardian settee, recreate a 17th century tapestry-lined interior or give a period feel to those worn-out seats on a set of Regency chairs.

There is still plenty of time to catch the Christmas show at the Fine Art Society, 148 New Bond St., who inform us that the exhibition in fact runs until December 21st and not the 11th as first reported in last month’s Decoration and Design.

November 19 was a very busy day for silver fanciers, obliged to make a decision about which of a trio of overlapping London sales they wished to attend in person. As well as King Sreet's main sale, there were more standard offerings at Christie’s South Kensington and Bonhams Knightsbridge (each 17.5/10% buyer’s premium).

Historians have spent many enjoyable hours attempting to decipher the symbolism of pictures on the back of Georgian teaspoons such as those illustrated right. Like the club tie or the secret society handshake, the picture back teaspoon was an English gentleman’s discreet method of signalling loyalties to potential sympathisers when serving afternoon tea.

Russian Works of Art: ALTHOUGH like the silver sale that preceded it, the buying mood was selective for the 343 lots of Russian works of art offered by Sotheby’s Olympia on November 21, it still totalled a respectable £684,000 for the 215 lots that changed hands.

The name Stanley J. Seeger will be familiar to many art collectors and auction goers for there have already been no fewer than five auctions of his works of art and pictures since 1993, ranging from 88 works by Picasso sold in New York to Contemporary art in Milan and 18th-20th century British pictures in London.

With the recent closure of numerous manufacturing depots belonging to a Cardiff company, the time came to dispose of items from the manager’s flat. The best of these items, all of which were sold on November 20 at the Cardiff rooms of Anthemion Auctions, was this Regency mahogany secretaire bookcase.

RUPERT Toovey launches his huge new saleroom in Sussex in a week, Dreweatt Neate have just completed a major revamp of their Donnington Priory rooms near Newbury and a host of other salerooms around the country have announced new facilities, upgrades and launches. Here we detail some of these changes, which indicate that however concerned many may be about the state of the UK antiques business, there is confidence out there and the determination to prosper through improved service.

Five days after Sotheby’s auction, a smaller, 152-lot Russian sale comprising works of art and pictures went under the hammer at Christie’s South Kensington’s rooms on November 26 and here too buyers picked over the contents with 60 per cent changing hands.

Interior decorators may well be familiar with the work of ARC prints, the Battersea firm based at 1-6 Andrew Place, SW8.Their high quality reproductions of antique engravings of Piranesi vases, Roman architectural studies and David Roberts Middle Eastern landscapes can be seen on the walls of many an antique shop or stand as well as providing a stylish focal point to domestic interiors.

LONDON-based Brian and Anna Haughton are moving their International Ceramics Fair & Seminar from the West End to the Commonwealth Centre in Kensington where it will be staged in conjunction with a new event, The London Asian Art Fair.

CENTRE Exhibitions, the organising arm of Birmingham’s National Exhibition Centre, are launching a new Antiques For Everyone fair at the Earls Court Exhibition Centre in West London next August.

The market for high-value Victorian pictures took a downturn last week when Christie’s and Sotheby’s Important British Picture sales posted some worryingly high levels of bought-ins.

The upside of Asian art in London is that the volume of sales pulls in all the Asian and international buyers. The downside of this concentration is that scheduling without overlap is difficult and buyers inevitably pick their way through all those goods selectively. Christie’s South Kensington, who fielded a marathon 600-plus lot Chinese auction on November 14, felt both effects.

“Black lacquered papier-mâché is back in vogue after a couple of years in the doldrums,” said Bonhams’ David Houlston, hailing one of the most successful components of November Chester sale on 6-8 November. This material was a decorative complement to the crepuscular interiors of Victorian houses and Mr Houlston believes that its resurgence is due to the ingenuity of modern decorators who have found brighter uses for the black.

A private collection of Wood family Staffordshire pearlware figures was the main focus of a sale of British ceramics held by Sotheby’s Olympia on November 19.

FACING up to the decline in demand for brown furniture was the central issue taxing the National Association of Valuers and Auctioneers (NAVA) at their annual general meeting in Cardiff.

In the warm dirge of the Victorian brass band, this serpentine instrument was king of the pumping bassline. But the sad journey of the ophicleide from fame to obscurity in a little under 50 years illustrated the pace of musical change in the 19th century.

Korean Art: IT was the half dozen pieces of Korean works of art that rounded off the Japanese sale at Sotheby’s Olympia rooms on November 11 that provided the auctioneers with their sale highpoint in the form of this painting by Park Sookeun (1914-65), one the country’s most sought-after artists.