Musical Instruments & Memorabilia

The Parisian clockmaker Henri Lioret (1848-1938) entered the market for ‘talking machines’ in an unconventional fashion – his first patented device of 1893 was a talking doll.

As the Scottish regiments went over the top on July 1, 1916 – the fateful First Day of the Somme – they were led into battle by the wail of bagpipes.

On April 10, 1970, a Paul McCartney ‘self-interview’ ahead of the release of his debut solo album had been taken by the media to be an announcement that the band was no more.

For their first appearance at the 55,000-seater Shea Stadium in Queens, New York, in 1965, The Beatles needed no promotion. At the height of Beatlemania in the US, the venue sold out in minutes.

One of the highlights of actor Peter Wyngarde’s estate sale held live, online-only at East Bristol Auctions (18% buyer’s premium) was a Beatles concert poster from 1963.

The Blue Moon, a club above Burton’s on Cheltenham High Street, existed for less than two years from July 1965 to May 1967, but in that time the compact 250-capacity venue with a tiny stage hosted Elton John, David Bowie, Eric Clapton, Fleetwood Mac, The Yardbirds and (on February 11, 1967) Jimi Hendrix.

Popular in the first decades of the 19th century, the eight-key flute is something of a transitional instrument, retaining many of the characteristics of the earlier baroque flute and the modern instrument.

Musical manuscript and portrait on song in salerooms.

Two music-makers caught the eye, or rather ear, at Adam Partridge’s (20% buyer’s premium) Macclesfield sale.

A good-quality violin linked to the German maker Jacobus Stainer (1619-83) led a group of previously overlooked musical instruments in a Towcester auction.

Until electricity became commonplace in homes, the power source of choice for the gramophone was a spring motor that required frequent winding. One unusual solution to silent interludes at the dinner dance was to power the device by hot air.

Relatively few English spinets from the 17th century survive but one surfaced at a Criterion auction in Islington. Loosely catalogued and estimated at just £100-200, it made £5500 (plus premium).

The resurrection of vinyl continues apace as was evident when a large collection of classical records offered by Ledbury auction house John Goodwin (15% buyer’s premium) attracted specialist trade and private interest from all over the world.

Two musical boxes catching the eye and ear among the small vertu sections at summer silver sales.