19th Century British Art

This sector includes Romantic painting, Victorian art, British Orientalism and Pre-Raphaelite art.


Green bags the top shot at Gleneagles

03 September 2002

This large Highland hunting landscape by John Frederick Herring Senior proved to be the highlight of Sotheby’s annual auction series held last week at the Gleneagles Hotel in Scotland, when it sold for £470,000 (plus 19.5/10% premium) to London dealer Richard Green Fine Art bidding on the phone.

Highlands near high point

29 August 2002

ON July 23 Bristol Auction Rooms (15% buyer’s premium) took the second highest price at auction for an oil by Hampshire artist Henry Garland (1854-1900). Back in December 1998 Bonhams Knightsbridge took a premium- inclusive £12,650 for the 3ft 4in by 5ft 7in (1.02 x 1.70m) oil Village Gossips.

Hole in one for Scottish gallery

24 July 2002

JUST as the world’s top golfers were teeing off for The Open at Muirfield last week, Scotland was celebrating another hole in one. Grants totalling more than £2m from the Heritage Lottery Fund, the National Arts Collection Fund, the Royal and Ancient Golf Club, St Andrews and private benefactors meant that the Scottish National Portrait Gallery could acquire the nation’s most important golfing painting, Charles Lees’ (1800-1880) oil on canvas, The Golfers (1847).

You can still get value out of the Victorians

26 March 2002

What will £1500 buy in today’s picture market? If quality is going to be my criterion and oil painting is my medium, then not very much, one might be forced to conclude after reading the latest report on how the market is polarising between an increasingly expensive best and a totally undesirable rest.

US link lifts Peele to five times hopes

22 March 2002

Artists with any kind of American connection almost invariably attract an extra level of interest when their work comes up for sale at a UK provincial saleroom. This was certainly the case when this 2ft 53/4in by 223/4in (75 x 57cm) genre canvas, right, by John Thomas Peele (1822-1897) came up for sale at the Heathfield, East Sussex rooms of Watsons (10% buyer’s premium) on March 7.

£1m expected for watercolours that Blake made for a “petty sneaking knave” and The Grave

18 February 2002

In 1805, William Blake was commissioned by Robert Harley Cromek to make a set of 40 drawings to illustrate Robert Blair’s poem The Grave, 20 of which Cromek proposed to have engraved by Blake.

Gazette ad made high ransom for Hostage

31 January 2002

BELGIUM (£1=BFr63): Antwerp's Campo Vlaamse Kaai enjoyed a pleasant pre-Christmas surprise at their two-day sale on December 11/12 when A Hostage, a large work by Edmund Blair Leighton (1853-1922) measuring 3ft 8in by 4ft 10in (1.12 x 1.48m), featuring a girl leaning on a wall, gazing wistfully out to sea, raced to BFr3.1m (£49,200) against an inexplicably low estimate of BFr8000-12,000.

Glasgow Boys to visit London

07 January 2002

THE Glasgow Boys school of painters will be the subject of the inaugural exhibition at the Fleming Collection at 13 Berkeley Street, London W1 at the end of this month.

The moral of the story is, original work sells best

17 April 2001

UK: NINETEENTH century genre paintings with strong narrative and moralising elements have not been the strongest performers at auction in recent years.

From a Ligurian Spring springs to £330,000

13 March 2000

From a Ligurian Spring by Henry Herbert Lathangue (1859-1929) sold for £330,000 plus 15 per cent premium at Bearne’s Spring Seasonal Sale, Exeter on March 1.

View of Venice at the Entrance to the Grand Canal

21 February 2000

UK: While the art market has been quieter in the provincial salerooms since the New Year, an exception was provided by this oil on canvas View of Venice at the Entrance to the Grand Canal, which appeared at Lawrence's of Crewkerne on February 17.

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