Contemporary Art

An unprecedented crowd of over 500 people turned up to watch, if not bid, at Sotheby’s near sell-out Part I auction of contemporary art on February 5. A stream of telephone bids created numerous eye-catching results, including new auction highs for Nicolas de Staël (£1.15m), Richard Hamilton (£100,000), R.B. Kitaj (£220,000), Paul Pfeiffer (£40,000) and last year’s Turner Prizewinner Grayson Perry (b.1960).

Contemporary art shines in London: The February round of Impressionist, Modern and Contemporary sales in London gave plenty of evidence that the top end of the art market has made a strong recovery from last year’s bout of Iraq War syndrome.

SHOWHOUSES in new housing developments are often a depressing, formulaic affair but this is not the case at the best designed showhouse in town at 20 Aubrey Square, a new residential development of 20 town houses at Campden Hill, Kensington, London W8.

Contemporary art continues to outperform many of the more traditional categories of art and antiques, according to a new report by insurers Zurich.

It was a definite case of first the bad news, then the good news at the February round of Impressionist, Modern and Contemporary sales in London. While Impressionist and Modern works failed to sparkle, there was a significant surge in interest for the Contemporary.

Gino Severini’s Les objets deviennent peinture (vase bleu et maïs) was one of the most significant lots in Christie’s 310-lot auction of Contemporary art in Rome on December 18. Dating from 1965, this picture was the last oil still life he was to paint and, indeed, one of the last works to be finished before his death.

Concerns that turmoil in the world’s stock markets would spill over into London’s June round of Impressionist, Modern and Contemporary sales proved to be largely unfounded.

CHRISTIE’S established 15 new auction records at their Rockefeller Centre saleroom on the evening of May 14 with a $42.1m (£29.9m) sale of Post-War and Contemporary Art.

Phillips have released details of a bumper sale of Contemporary art to be held in New York on May 13. The announcement came as art trade rumours persist about the reasons for the auction house postponing their May 6 sale of Impressionist and Modern art until June at the earliest.

The London art market received a major lift in the salerooms last week when Sotheby’s and Christie’s attracted remarkably strong levels of international demand for their February round of Impressionist, Modern and Contemporary auctions.

Light sculpture is what noted potter Margaret O’Rorke calls her distinctive and novel work, which is on exhibition until December 21 at Galerie Besson, 15 Royal Arcade off Old Bond Street, London W1.

USA: Swann Galleries will hold their inaugural auction of Contemporary Art on the evening of Tuesday, November 13 at their 104 East 25th Street New York premises. The sale comprises about 170 examples of photo-based artworks, paintings, prints and drawings as well as mixed media pieces and multiples by late 20th century artists.

USA: The gloom created by disappointing results at this month’s Impressionist and Modern sales in New York was swept away last week by the strong performance of contemporary art at the three main auction houses and reports of good business being done by a number of dealers at The International Fine Art Fair.

UK: LEVELS of demand at Bonhams & Brooks’ (15/10 per cent buyer’s premium) March 22 sale of Modern and Contemporary British and Continental Art were less impressive than the Phillips event of March 20.

Two weeks ago (Issue No. 1478) we reported the sale of Sigmar Polke’s re-discovered 1963-64 Untitled Doppel portrat, above left, at a record £1.05m at Sotheby’s February 7 Contemporary Art Sale in London to the German collector Friedrich ‘Mick’ Flick.

GERMANY: WITH an attendance of 70,000, there was certainly plenty of interest in the work at the 34th Art Cologne, one of the world’s leading fairs for modern and contemporary work which showcased 276 dealers from 21 countries in Cologne Exhibition Centre between November 5 and 12.

UK: AGNEW’S are set to open a new gallery for Contemporary art in Old Bond Street in January.

A HOUSE of Lords ruling in a copyright case tightening the rules on what constitutes an infringement could have a significant impact on the Contemporary art scene.

USA: SKINNER’S auctioneers of Boston have set up a new contemporary art gallery which could do for American artists what Maurice Saatchi has done for Damien Hirst and others.

UK: THE Saatchi Gallery is to distribute 39 works of Contemporary Art by British artists among seven regional galleries and museums.