Events and conferences

'View from the Back of 72 Bute Street' is one of the pictures by Welsh painter Charles Burton available at Martin Tinney Gallery this month.

Patchworks stitched together by successive generations in poor Japanese communities offered in Kensington exhibition

Original lithographs by Joan Miró and Marc Chagall star at Eames Fine Art’s exhibition 'Behind the Mirror'. Held at the Bermondsey galley from August 8-September 1, the show is named for the magazine, Derrière le Miroir, the leading modern art publication in 20th century Paris along with Verve.

Alexandre Calame’s oil on canvas The River Lutschine near Lauterbrunnen was one of the highlight sales during this summer’s London Art Week (LAW).

Vivid and lifelike, the lithograph of an Ariel Toucan shown below first appeared in a monograph by British naturalist John Gould (1804-81), 'The Bird Man'. Despite being in the hand of his wife Elizabeth (1804-41), this, like most of the illustrations in John’s publications, was long considered to be essentially his work.

Patrick Heron’s screenprint 'January 1973: 12 1973' is among the offerings at Belgrave St Ives’ summer exhibition of Modern art.

A black and white chalk on paper drawing of Jupiter and Antiope by Johan Zoffany (1733-1810) was among the highlight sales during London Art Week (LAW).

A Henry Clay polychrome tea caddy, c.1785, in the manner of Robert Adam is among the pieces lent by dealer Mark Goodger of Hampton Antiques to be featured in Compton Verney Art Gallery’s exhibition A Tea Journey: From the mountains to the table.

A study for the mysterious painting 'Allegory' by Thomas Monnington (1902-76) features in Liss Llewellyn’s exhibition of religious art in 20th century Britain. It shows a nude man and woman before a tree, an overt visual reference to Adam and Eve, but one which the artist denied.