Suffolk

NOW that few dealers can any longer afford routinely to buy pictures for stock, auctioneers, particularly provincial auctioneers, have become increasingly reliant on private individuals to take take up the slack at their art sales.

IN Antiques Trade Gazette No 1276, February 22, 1997, I reviewed a fascinating but somewhat disconcerting exhibition at Archeus Fine Art in London of drawings by Eric Hebborn (1934-1996), who has been described as the maker of the finest art fakes of the 20th century. The show offered rather convincing ‘Old Master’ drawings after the likes of Raphael, Rembrandt and Watteau, which were selling at prices up to £2500.

A DEALER from Melbourne, Australia was one of the first through the doors, and certainly the most welcome visitor at Caroline Penman’s first Bury St. Edmunds Antiques Fair, held at the Athenaeum in the Suffolk market town from September 3 to 5.

HAVING reported on trade expansion, it is equally encouraging to see seasoned organisers such as Robert Bailey and Caroline Penman in a similarly upbeat mood.

LONG-TIME readers may recall that I used to wonder why East Anglia, such a fertile ground for everything from agriculture to antiques shops, remained something of a wasteland in terms of fairs. What, I asked, held organisers back? The place may be a little off the beaten track but it is rich in artistic heritage from Cotman and Constable to Munnings, it has history from Hereward to Nelson and there has always been money from medieval wool days through to the present acres of wheatfields.

NORFOLK organiser (and dealer) Liz Allport-Lomax holds her second Southwold Summer Antiques Fair at St Felix School in the picturesque small Suffolk coastal town from July 23 to 25.

THE ups and, more depressingly, the downs of the market this year make the results of a steady day’s selling of material put together by Nigel Papworth at Diamond Mills’ (11.75% buyer's premium) Felixstowe rooms at the end of June look positively encouraging.

PICTURED right is a 2ft 1in (64cm) Jacobean amputation saw made by Robert Hobbs that is appearing at a sale at the Cedars Hotel in Stowmarket, Suffolk on July 30.

FOR years now, the annual Snape Maltings Antiques and Fine Art Fair has been an institution in the fairs world. Sited in a large tented pavilion behind the Maltings in the beautiful Suffolk countryside, it is certainly a contender for the most attractive setting of any fair anywhere. But it has been going for 37 years and no event lasts that long on looks alone.

FEW fair organisers are bolder than Caroline Penman who, for decades, has been putting together such respected and traditional fixtures as the Chelsea and West London Antique Fairs. Not every Penman endeavour succeeds, but Caroline keeps coming up with new ideas and venues and, from September 3 to 5, she moves to East Anglia to launch the Bury St. Edmunds Antiques Fair at The Athenaeum in the Suffolk town’s Angel Square.

THE very earliest English porcelain has long held sway in the market, but one feature of Part I of the mammoth Zorensky Worcester collection sold by Bonhams in March was the high prices paid for some of the late 1760s and early 1770s underglaze blue ground tablewares.

EAST Anglian early furniture specialist Andrew Singleton has, for many years, held a popular pre-Christmas selling exhibition at his shop, Suffolk House Antiques, in Yoxford High Street, and following the consistent success of these shows he is staging a summer version, opening on June 12 and running for a week.

ANOTHER piece of wine-related silver was among the better sellers at Olivers (10% buyer's premium) April 1 sale in the form of an Edwardian monteith.

BILLED as a regular Victorian sale, the main attractions of Abbots Auction Rooms' (10% buyer's premium) March 29 sale were in a 129-lot specialist decorative arts section – in particular two pieces of René Lalique glass.

INTENSE competition between three bidders on the telephone and two in the room pushed the watercolours of Edward Bawden (1903-1989) into new financial territory when this signed and dated, 1956 composition, right, House at Ironbridge, fetched £10,500 at the Sudbury, Suffolk rooms of Olivers (12.5% buyer’s premium) on April 1.

THE final 130 or so offerings in Abbotts (10% buyer's premium) 675-lot Suffolk sale on March 10 showed that good examples of standard late Georgian and Victorian furniture can still find buyers if the price is right.

One of the more unusual lots offered by Felixstowe auctioneers Diamond Mills (10% buyer’s premium) on December 16-17 was this framed and glazed Sutton & Sons educational display, right, entitled Analyses of Natural Grasses by Dr J. Augustus Voelcker.

Private consignments of Chinese porcelain are increasingly difficult to source and competition is rife between provincial and London rooms. Prices regularly spiral for the best quality works whether they are offered in the provinces or in the capital.

WORKING under the name Palm Antiques Fairs, Norfolk-based Joy Fletcher launched her Palm Antiques Fair at Blackthorpe Barn, Rougham, near Bury St Edmunds in Suffolk over the weekend of September 26 to 28 and tells me both she and her exhibitors were happy enough with business to warrant a re-run on March 26-28 next year.

FOR 40 years, the Suffolk family concern Tudorose Ltd has been involved, directly or indirectly, with the antiques world. The operation is very much in line with current trends, for the company creates high-quality reproduction antique furniture, designs contemporary furniture, restores furniture and completely renovates interiors, among other things.