North-west England

This late 19th century necklace offered by Peter Wilson's latest sale in Nantwich is a spectacular example of Grand Tour jewellery. Most Georgian or Victorian gentlemen keen to display an appreciation of classical art were satisfied to purchase just one or two hardstone intaglios as a souvenir.

A heavily carved and silvered wood ‘console table’, offered with an estimate of £1500-2500 at Lacy Scott & Knight’s (20% buyer’s premium) September 9 sale came with a somewhat exotic story.

Catalogued as early English, this slipware dish above had all the qualities of the combed decoration earthenware baking, or loaf, dishes produced in the late 18th to early 19th century and took the top price at Mitchells (20% buyers premium) of Cockermouth.

Originally considered just another 20th century burr oak tallboy among a stack of material from a house clearance brought into the Hazel Grove rooms of Maxwells (15% buyer’s premium), opinions changed when a carved mouse was noticed on the lower left leg.

Some auctioneers believe they are rock stars when they take to the rostrum. But the owner of a new auction business in the north-west has been closer to real-life rock stars than most gavel-masters.

Helped by a revival of interest in traditional music, the market for the best antique concertinas has accelerated in recent years. Prices for some models have trebled across the decade.

Mitchells’ (20% buyer’s premium) Vintage and Antique Toy Sale on July 15 included a collection of 15 Rowntree’s sweet tins from the Edwardian era.

The well-known Manchester art dealer, Michael Fulda, passed away peacefully on Monday, July 3.

Standing by the stairs of a modest Cumbrian seaside home, a pair of 19th century treen figures dominated the sale, both physically and in price terms, at 1818 Auctions (20% buyer’s premium inc VAT) at Milnthorpe on June 6.

Consigned from a deceased estate, a 19th century oil of a popular Venetian view topped Mitchells’ (20% buyer’s premium) June 1 auction in Cockermouth, Cumbria.

More than 600 people crowded into Clark Art in Cheshire on June 15 for the opening night of its annual exhibition on northern English painting.

An age away from the controversy, skulduggery and sky-high prices that have too often characterised the antiquities market of late, the world of the quiet academic’s study came to the Macclesfield rooms of Adam Partridge (15% buyer’s premium) on April 6-7.

Major dealers remain confident about the market for top-level English 18th century ceramics. At lower levels, however, the disappearance of so many dedicated collectors continues to take its toll.