South-west England

Brown furniture has proved hard to shift at auction in recent months but the success of this George I burr walnut chest on stand offered at the Bristol Auction Rooms on June 18 may signal the tide is turning.

Helped by a £17.425m grant from the National Heritage Memorial Fund – the largest sum it has ever given – the National Trust announced last week that it had bought Tyntesfield, a Victorian neo-gothic country house near Bristol.

The German painter Hans Purrmann (1880-1966) is described by Bénézit as an artist who was heavily influenced by Matisse (with whom he had contact in Paris from 1906-1914), but who lacked the greater artist’s “sense de lumière et de la couleur”.

Major photograph sales are usually confined to London and New York salerooms, but since selling the Earl Craven family archive of daguerreotypes last year Bearne’s of Exeter (buyer’s premium 15 per cent) are now on the international circuit.

PRE 1921 the Poole pottery firm, one of the most innovative of the 20th century British potteries, was known as Carter & Co. Headed up by Jesse Carter, the firm produced very few domestic wares focusing instead on tiles and architectural and garden ceramics.

Furniture and pictures can usually be relied upon to bag the biggest prices in provincial auctions but while this was so at Bristol Auction Rooms April sale there were also interesting works in some of the other sections.

This gold pair-cased pocket watch was brought into the offices of Charterhouse auctioneers of Sherborne, Dorset in a plastic carrier bag – albeit a Harrods bag – by a vendor who had kept it in his sock drawer for many years.

SOLD at £1200 to Jarndyce in this sale of photographs, historical documents, autographs and ephemera was an 1838 manuscript of The Student, a play by Frederick Bate.

“It was like the 1970s all over again,” said John Benjamin of Woolley and Wallis, describing the breadth of quality at his jewellery sale in Salisbury on April 24-25.

ROBERT Lenkiewicz, one of Britain’s most controversial artists, has been burgled for the third time in five weeks in what is widely believed to be a ‘stolen to order’ theft.

HAMPSHIRE organiser Valerie Sleeney of Grandma’s Attic Fairs holds the first staging of the year of her flagship event at The Pavilion Ballroom, Bournemouth on April 27 and 28.

Limoges enamel has its English equivalent in the rustic little boxes produced by artisans in the South Staffordshire towns of Bilston and Wolverhampton during the late 18th century.

Two small locally consigned lots provided the best seller and cover lot at the buoyant March 23 sale held by Michael J. Bowman (15% buyer’s premium) at Chudleigh Town Hall.

The season has not quite begun, but this late 18th century cricketing badge enjoyed a long innings at Duke’s Dorchester salerooms on April 11-12.

Echoing encouraging sentiments of provincial auctioneers across the UK, Bristol Auction Rooms specialist David Rees felt “the trade were more comfortable buying for stock” at his March sale than in previous months, adding: “It was the best sale we’ve had since November.”

A CONMAN with an “appalling record”, who cheated antique dealers across the country has been jailed for six years at Salisbury Crown Court.

What will £1500 buy in today’s picture market? If quality is going to be my criterion and oil painting is my medium, then not very much, one might be forced to conclude after reading the latest report on how the market is polarising between an increasingly expensive best and a totally undesirable rest.

Decorative arts are especially popular in this part of the West Country, where New Age culture and the wealth of new technology has created a sympathetic market for antiques in general and the arts and crafts in particular.

A series of strong bids brought a total of £51,900 for a Chelsea fable painted part-tea service at Lawrence’s of Crewkerne on March 14.

Shortly before her execution at Fotheringay Castle in 1587, Mary Queen of Scots gave this portrait ring, right, to her lady in waiting, Mary Strickland, as a keepsake. This was the story told to Devon auctioneer Robin Fenner by the vendor, whose late mother was the last of the Boynton Stricklands.