Decorative Art

Tentatively catalogued as ‘18th-19th century German, possibly Meissen’, a porcelain figure of the Quack Doctor from the Cryes of London series was the surprise tonic at Reeman Dansie’s (20% buyer’s premium) August 1 Colchester sale.

It may be pretty quiet on the auction front in Europe but Down Under the saleroom and fairs scene is in full swing.

The highlight of Lyon & Turnbull’s sale of Scottish Silver & Applied Arts on August 16 was a Jacobite drinking glass with a difference.

MADAM – Regarding ATG’s coverage of the threat of closure to the Poole Pottery Studio (ATG No 2304 and antiquestradegazette.com), I feel it is imperative that some element of the production stays in Poole.

The surprise package of Sworders’ (22% buyer’s premium) Homes and Interiors sale of August 1 was an early buff stoneware jug of a type commonly associated with the potteries of Fulham and Vauxhall.

Collectors of works by the Rhead family of potters will no doubt have September 5 already marked in their diaries.

A pair of white glazed figures of musicians made by the Lowestoft factory c.1770 sold for £4000 at the July 18 sale at Keys (plus 20% buyer’s premium) of Aylsham.

The Doccia factory is perhaps best known for its hard-paste sculptures – many of them near-direct copies in porcelain of 17th and early 18th century bronzes. The key figure is the talented modeller Gaspero Bruschi, himself a Florentine sculptor.

MADAM – I read with great interest Roland Arkell’s feature on collecting work by the Martin Brothers (ATG No 2226). Roland cites three exhibitions which he states are “landmarks” but leaves out perhaps the most important.

Thieves in Chipping Campden have struck at the core of the Court Barn Museum’s collection of Arts & Crafts silver and jewellery.

The collection of Clarice Cliff formed by André Aerne, a voice professor at Butler University in the US who died last year, will be offered in an online sale at Christie’s this month.

Campaigners against ‘British’ hallmarking overseas have welcomed the launch of a consultation on the issue.

The interest in studio pottery goes beyond the premier names in the field. Three pieces by Waistel Cooper (1921-2003), a Scot who worked first in Porlock in Somerset and later from the Barbican Pottery in Penzance, generated plenty of bidding at Greenslade Taylor Hunt’s (19% buyer’s premium) July 6 sale in Taunton.